Design Inspiration – Colourful Teens

Standard

I’ve got a lot of fun design projects on my plate this week and I’ve been looking at so many pretty inspiration pics I can’t help but share them.

I won’t share what exactly these are for before the project is done, but here’s a look at my  inspiration for my first project, something designed for teens and meant to look modern, non-gender specific, and fun.

I started by trying to figure out what the hell it is that teenagers like these days. With my 10 year high school graduation looming, I have come to the sad realization that I am no longer “hip”, so I started by basically crossing off anything I remembered from my high school days (though apparently not from my childhood, as the 90s is totally in, for some reason). The fact that kids now grow up with the internet & social media doesn’t help when you’re trying to figure out something like this, because they have constant access to the newest & coolest things, so I think trends change much quicker than they did when I was a teen. I asked around to some of my friends with younger siblings, did an incredibly lame google search, and came up with an overview that may not be exactly what is popular, but at least I don’t think it looks outdated.

I started with TV shows – two that were suggested to me? Adventure Time and Bojack Horseman.

I’ve watched a little bit of both, and frankly I don’t see the appeal of the writing or story, but I can get behind the colourful, quirky, cartooning. Cute things that are gross, evil/gross things that are cute, everything is hyperbolic, everything is the biggest, brightest, most extreme it can be; I see how that would speak to teens.

What’s the other thing that you think of when you think of teenagers? Memes. Now, I can’t exactly do a meme for this project, for one, because that’s not how they work, but also I don’t want to minimize the serious aspect of it. So let’s look at what all memes have in common;

  1. They are written in all caps
  2. The font used is Impact
  3. The writing is white, and has a black outline
  4. Many of them are square

meme

When you break it down like that, it’s pretty easy to see how you can incorporate elements that are in what teens use, like & share daily into something you want them to interact with that way.

So next I start looking at patterns and colour palettes that seem to fit both what I see in those examples, and what I think will speak to what I’m trying to make. Here’s a few examples;

Bright, high contrast, but no primary colours. Everything has a sort of warm feel to it, whether it’s bold or pastel, it all makes me think of some kind of yummy tropical drink.

I try to not look at too many finished projects because I don’t want to get something in my head that I will accidentally rip off in some way, but to make sure I’m on the right track, I head to Behance.

Absolutely LOVE this work by Mat Sesti – cartoonish but not child-like, hot explosive colours, bold and eye-catching. You can see his entire project on Behance.

Screenshot 2017-04-03 12.46.06

Another great find on Behance is this beautiful work by Roberto Leon – I see a lot of hand drawn typography on things aimed at teens, and I love the way he works in bright colours, expressive photography and hand lettering. I think this idea could work well with the project I’m doing, as it is a series that focuses on many individuals, and this would be a good way to keep the whole thing feeling uniform, while being able to showcase what is unique about each one. See the whole thing on his Behance profile.

Screenshot 2017-04-03 12.50.02

So there’s my little inspiration board for today’s project. I’ll post the finished work in the upcoming weeks and we can see if I stuck with my first instincts!

All for now.

E.

Hey, It’s Not All Bad! 2016 In Review

Standard

It’s becoming a bit of a tradition, doing a “year in review” post, so here goes one for a year most of us agree has been pretty shit; 2016.

Despite the awful things happening in the world, the ridiculous number of celebrities to pass before their time, 2016 has been good to me in a lot of ways. Here’s the highlights.

Tarragon Theatre

screenshot-2016-12-30-16-07-15

As I mentioned in my blog from this time last year, in January of 2016 I started working for Tarragon Theatre as the Assistant Producer; this has been my all time favourite job. The people at Tarragon are awesome, and I very quickly got to learn a lot. From doing CAEA contracts with Kesta, the Business Manager; mailings and social media marketing with Lauren, the Director of Communications; foundation & grant research with Leslie, Director of Development; workshops with students lead by Anne, Director of Education; and special projects grant writing with Richard, the Artistic Director, I’ve had a chance to do a little bit of everything and that has helped to confirm that, yes, I love everything about theatre. It’s been a hard year in a lot of ways and the staff have been very supportive, and I’m going to miss the place when my contract ends (soon). But I think I have now a good idea of what sort of training & experience I need to have a position there, and so I’m headed down that path in hopes of working there again someday!

New Apartment

For anyone thinking of moving to a new apartment a week before opening a show, I have one piece of advice; don’t. Despite it being insanely hectic, and taking a very long time to get organize and settled in, I’m very happy with my new home. It’s a lovely old building, built around 1910, and has a ton of vintage charm, which (surprise!) I love. Plus, I’m here with 4 of my favourite people; my bunny, Felicity, my budgies, Felix & Rooney, and my ever-supportive boyfriend, Conor (aka Coogle). Pretty great.

Wait Until Dark

wudcastcrewphoto

In April Bygone Theatre mounted a production of Wait Until Dark in the rehearsal hall at Tarragon Theatre. As happens with every show I direct, I got to meet a ton of funny, talented, and all-round awesome people. Also got to reconnect with Anthony Neary who I had worked with on Madeline Robin Known As Roxann a couple years back; he came out from Ottawa to set up some funky LED lights. We got to expand our Youth Outreach with this show by getting several teenage volunteers involved, which not only lessened my workload, but introduced all of us to some up-and-coming Toronto talents.

Directing with Richard Rose

This year I finally had a chance to take a class I have wanted to sign up for for YEARS; Directing with Richard Rose. I don’t have any formal theatre training and so I had wanted to add some things to my resume and get tips from a pro; for anyone looking for the same, I highly recommend this class. I haven’t had a chance to direct a show since taking the course, so we’ll see come His Girl Friday if his words of wisdom will improve my directing skills!

Vaudeville Revue

13581899_812129075590261_8621653151204502106_o(Most of) The Cast of Vaudeville Revue

Since I started Bygone back in late 2012, I have wanted to do a vaudeville show; in June 2016, I finally got the chance. Vaudeville Revue had a short run but we had an amazing variety of talent, and I’ve got another one planned for this season; hopefully this will grow into a yearly event. Everyone was not only talented but wonderfully positive. Despite not having the usual rehearsal process, I really witnessed bonding among performers backstage. That’s always one of my favourite parts of a show.

Tucked Away Antiques

Tucked Away Antiques Logo

In August I decided to try and make some extra cash out of my second biggest passion (next to theatre); antiques. I have a ridiculous number of vintage & antique items at home – from shows, my own collections – and I always want to buy more. So I opened up an Etsy shop, Tucked Away Antiques, to feed my collecting addiction without making me go broke; it worked! It’s growing slowly, but it is growing, and I am making a profit. In the new year I hope to build it more and get it to a place where it can be a regular source of income.

Human Rights Hearing Against Theatre 20

This is meant to be a positive post, so I won’t go into this here. I’ll just say that the hard part is over, and that you can read more about it here.

Coming Up

Featured Image -- 1470

I’m already knee-deep in 2017 in a lot of ways. Work on Bygone’s next show, His Girl Friday, started a few months ago, and rehearsals will start in early January. I’ve signed up for online courses through Lynda, so I can brush up on my Adobe skills & Google Analytics, as well as learn how to use new programs like Quickbooks & Sage, and get some training on HTML & C++. Hopefully these skills will help me not just with Bygone, but any future work as a producer. I’ve got a bunch of things on the back-burner at the moment, and hopefully will have some more updates soon, though I won’t jinx it by mentioning them now.

All for now. Happy New Year!
– E.

My Top 5, 2016 Toronto Fringe Picks

Standard

Every year at the Fringe those of us in the theatre community get very excited & very overwhelmed; it’s a chance to see everyone (many describe it as “Christmas for actors”) but also a time when you try frantically to fit into your schedule all the shows you feel you “must” see. I know there’s already a lot of “must see” lists out there but, hell, why not throw one more into the mix? These are 5 that I know will rock because of the fantastic people involved.

Behold, The Barfly!

Where: Monarch Tavern, 12 Clinton Street (Site Specific)

When: 
buy tickets  June 29th at 7:00 PM
buy tickets  June 30th at 7:00 PM
buy tickets  July 1st at 7:00 PM
buy tickets  July 2nd at 7:00 PM
buy tickets  July 3rd at 7:00 PM
buy tickets  July 5th at 7:00 PM
buy tickets  July 6th at 7:00 PM
buy tickets  July 7th at 7:00 PM
buy tickets  July 8th at 7:00 PM
buy tickets  July 9th at 3:00 PM
buy tickets  July 9th at 7:00 PM
buy tickets  July 10th at 7:00 PM

What: From the writer of the smash hit ‘Love is a Poverty You Can Sell’ (★★★★★ / NNNNN) comes a surreal and cerebral sketch spectacular featuring some of Toronto’s finest comedy talent! Peer into the pickled subconscious of a slumbering barfly and behold the wonders within: Mirth! Adventure! Mediocre Poetry! Sober contemplation of life choices! Dinosaurs?

Why: Writer Justin Haigh is hilarious and the very talented Eric Miinch is in this show as well (his own show comes later on this list). Who doesn’t love clever sketch comedy?

Bright Lights

Where: Tarragon Theatre Mainspace

When:
buy tickets  June 29th at 10:30 PM
buy tickets  July 1st at 8:45 PM
buy tickets  July 3rd at 3:30 PM
buy tickets  July 5th at 6:30 PM
buy tickets  July 6th at 12:00 PM
buy tickets  July 8th at 6:00 PM
buy tickets  July 9th at 11:30 PM

What: From Kat Sandler, Theatre Brouhaha, and the creative minds behind the Fringe smash hits Punch Up, Morro and Jasp, Peter n’ Chris, and Shakey-Shake & Friends comes a new dark comedy about survival, trust, and an alien abduction support group thrown into chaos by the suggestion that someone in their midst may not be as human as they seem.

Why: See the ladies behind Morro & Jasp perform without their clown personas (something I personally am very interested in) and check out the latest from Kat Sandler who recently won the Dora for her new production of Mustard at Tarragon.

Dan’s Inferno

Where: Helen Gardiner Phelan Playhouse

When:
buy tickets  June 30th at 8:45 PM
buy tickets  July 1st at 11:00 PM
buy tickets  July 3rd at 1:00 PM
buy tickets  July 5th at 2:30 PM
buy tickets  July 7th at 9:30 PM
buy tickets  July 9th at 9:45 PM
buy tickets  July 10th at 5:15 PM

What: Based loosely on Dante’s famous poems, we seek explore the modern interpretation of what comes after death. Dan lived his life unremarkably and now he is dead. Don’t feel bad for him, dear reader. In death, Dan finds himself free to visit heaven and hell, purgatory too. He will find more meaning in his afterlife than he ever found in his beforelife.

Why: You may have seen a version of The Inferno before, but I’m sure you haven’t seen one like this. I know what was on their costume list, and it sounds like one hell of a show. Plus, Eric Miinch (recently seen as Roat in Bygone’s Wait Until Dark) is one of the funniest people I know; if you have a chance to see something of his, don’t miss it.

Everything Else Is Sold Out

Where: Helen Gardiner Phelan Playhouse

When:
buy tickets  June 30th at 10:30 PM
buy tickets  July 2nd at 7:30 PM
buy tickets  July 3rd at 4:30 PM
buy tickets  July 5th at 6:00 PM
buy tickets  July 6th at 11:00 PM
buy tickets  July 8th at 12:00 PM
buy tickets  July 10th at 3:30 PM

What: Bad News! All those hot ticket shows are sold out (don’t bother checking, they definitely are). Good News! Dame Judy Dench is back with an all new sketch revue! Covering everything from situations to other situations, it’s a show you’ve gotta see, especially since Everything Else Is Sold Out!
Past Reviews “Outstanding Ensemble and Production”, NNNNN, NOW Magazine

Why: While she didn’t get to show off her comedy-chops in Wait Until Dark, Shannon Lahaie is an extremely funny lady, and the range she showed in WUD proves her to be a talented actress as well. Dame Judy Dench has gotten great buzz for their past sketch shows and I’m sure this will be no different, definitely one I can’t wait to see.

Mullet’s Ghost Story

Where: Harbord House, 150 Harbord Street (Site Specific)

When:
buy tickets  June 29th at 9:30 PM
buy tickets  June 30th at 9:30 PM
buy tickets  July 1st at 9:30 PM
buy tickets  July 2nd at 9:30 PM
buy tickets  July 3rd at 9:30 PM
buy tickets  July 4th at 9:30 PM
buy tickets  July 5th at 9:30 PM
buy tickets  July 6th at 9:30 PM
buy tickets  July 7th at 9:30 PM
buy tickets  July 8th at 9:30 PM
buy tickets  July 9th at 9:30 PM
buy tickets  July 10th at 9:30 PM

What: A haunting tale about the dead, as told by the undead, for you, the living. Zombie clown Mullet wants nothing more than to never be alone. Be careful what you wish for. Starring Toronto’s Best Male Improviser (2015 NOW Magazine Reader’s Choice). Directed by 2x Canadian Comedy Award winner. Written by 3x Canadian National Playwriting Competition winner.

Why: Mullet was recently seen in Bygone’s Vaudeville Revue where he performed one of the most unique bits in the show. A clever writer and performer, I can’t wait to see what one of his full-length shows is like.

Check out the Fringe website for complete show listings.

Another Theatre-Filled Year – Looking Back at my 2015

Standard

Skimming the blog that I wrote about this time last year I can’t believe so much time has gone by. I think we always start off a new year feeling positive and optimistic, and things rarely turn out the way we expect, for better or for worse.

I’ve certainly had my share of crappy moments this year, but when I sit down to write something like this, a summary in a few hundred words of several hundred days, I find that the things that stick out are still mostly positive. Why? Simply because while I can trace a positive experience back to every negative one, I never do the opposite; who cares what bad seems to follow from a good thing? Chances are, they aren’t really connected, and would you trade that good moment if it meant maybe not enduring the bad? When it comes to the negative, sure, it sucks. And honestly, if I were to just count them, this year has been mostly negative. However, with each and every bad moment I can follow it through and see how it played a crucial moment in the best times I’ve had this year. Flawed, contradictory logic? For sure. But whatever. If it gets you to the start of another year looking forward to the good things rather than dwelling on the bad, well, then, I don’t think anyone should complain.

So on that note, here’s a happy summary of all my fun-filled theatre experiences of 2015 – a reminder to you, and me, of all the good parts of the year and the bright things ahead.

A Dark New Musical

11866389_730575003755080_2173893350945103619_n

I started off the year working on a new musical with one of my best friends. Those who know me likely know that it didn’t go as planned. At all. Still, in keeping with the positive theme of this post, here is what good did come from it;

  1. I met some amazingly talented people and was lucky enough to make some really great new friends. Theatre is all about connections and I made some good business ones there as well.
  2. I helped to create and produce an original, full-length musical, something that, not only had I never done before, but, regardless of how it turned out in the end, is a pretty big accomplishment in itself. I can’t tell you the number of hours put into that show, how exhausting it was on so many levels, but despite that I came out of it not jaded, not angry, still loving theatre and still loving the people I worked with. Anyone who has heard all the inside stories knows that that fact alone is nothing short of a miracle! It also tells me that, yes, I am in the right business.
  3. I got to visit NYC again for a little over a week. One of my favourite cities, I love going there and am trying to make it a goal to visit at least once every year.
  4. For better and for worse, I got to see the true colours of a lot of people, and I think that’s a very valuable thing to discover. For the most part, I was proud and very happy with what I saw, and for the rest, well, lesson learned.

I Wanna Be A…Producer?

T20_Launch_111

Conor, Kenton, Matt & myself

As I think I’ve said before, I started off producing purely out of necessity; there aren’t a lot of people out there who get excited by budgets and spreadsheets and who would prefer to stay behind the scenes, keeping everything running smoothly while most of the groups asks each other, “what do producers do, anyway?”. I had produced all of Bygone’s shows but not given much thought to doing it outside of that, until a friend of mine (who almost NEVER gives compliments) told me he thought I was good at it, and that it was a path I should follow. I took that to heart, as I do just about all that he says, still, I didn’t think there would really be any opportunity as I felt producers must have some sort of skill that I was lacking (although I wasn’t really sure what that would be).

In early February 2015 I started working for Theatre 20, initially without any title, just happy to be earning a living working in theatre in some capacity. When they decided what my role would be I was surprised to be given the title of Producer, but when they explained what I would be doing and why they thought that was the right role I realized, heh, that is what a producer does, that is what I’ve been doing and maybe this all isn’t as unattainable as I thought.

11229763_379127352297724_174363836961181572_n

35mm: A Musical Exhibition, Toronto Premiere, May 2015

A few months later (on a project outside of T20) I was the Assistant Producer for the Canadian premiere of 35mm: A Musical Exhibition and I found myself working on a show that starred an actress I had eagerly seen perform (and gotten an awkward fan photo with) about 10 years before. Small world, eh? And again, maybe not as impossible as I had thought.

Things with Theatre 20 didn’t work out but here again I learned some valuable lessons; don’t take people on their word. Don’t trust in someone just because you feel they are a “good person”. And when it comes down to it, it IS worth sticking to your guns and having a say, just make sure you get everything in writing so that if it comes back to bite you, you can prove that you were the one coming from the right place. I hope to be able to go into all of this in more detail in the new year.

What working with T20 did do, besides teaching me the above lessons, is give me the confidence to say, yes, I can be a producer. And so I went into those musicals feeling like I knew what I was doing. And I continued to put together Bygone, slowly easing more and more into a producer’s position. It also encouraged me to apply for the Assistant Producer position at Tarragon; I start there in the new year.

Bygone Theatre – INCORPORATED

BygoneLogoIcon2015

We didn’t change the name, didn’t add an “inc” or anything to it, so I guess most people would never know anything changed, but this year we applied and were granted non-profit incorporation status for Bygone Theatre and I couldn’t be happier. Granted, I have yet to make any money off this company (the shows with profit have directly financed the following shows – I don’t get paid for any of my work), BUT I can still say that at 26 years old I now own and run my own company, which is pretty nifty. Being non-profit meant I needed a board of directors and I am fortunate enough to have gotten an amazing team. Not only are they talented, with artistic opinions I respect, and a motivation and drive necessary for the company’s growth, they are great people and great friends. I think we’re set up well for the new year with this group at the helm.

12074727_682937061842797_4336249178245043477_n

Bygone Board – Elizabeth, Conor, Elizabeth & Leete

More Freelance Work

As I did more work for my own company and other’s, I was surprised to find people actually liking what I’d done (who’d a thunk it?). I started doing some web design for friends and found that I liked it a lot. In the new year, I’m signing up for some more technical courses so that I feel qualified to advertise myself as a web designer, but already the encouragement I’ve gotten is great. Maybe this year some of that work will actually turn a profit!

True-Blue

As I’ve sort of said already, if I had to summarize this year with one general theme, one “lesson learned”, it would be knowing now who to trust (and not to) and who my true friends are. In some cases, it was obvious. In others, I was pleasantly surprised. But all round I’ve found that time together or apart has no baring on a friendship; it’s the quality of the person, not the quantity of the time spent together, and someone you’ve known for 12 years can cease to be a friend in a blink of an eye while someone you’ve known for 2 months can become your main source of support. I’ve been surprised by the kindness and generosity of a few people in particular, and in addition to knowing that I will pay them back as soon as I’m able, it’s also encouraged me to spread the love to some strangers. Not everyone is lucky enough to have friends like these, I know, so it’s time to share some of that luck.

12342676_10153186409032478_6840145103873621406_n

What’s Next

I start my job as Assistant Producer at Tarragon Theatre on January 5, 2016. To say I’m excited would be an understatement. I’m grateful for the chance to work with one of the most respected companies in the city, and know that at the very least, I will work with some talented people whose careers I aspire to. I’m sure there’ll be much more than that, but I’ll save it for when I actually start working there.

Tarragon

With Bygone, I’m working on making the Retro Radio Hour a regular program and talking to some of those involved about how we can make it tighter and better; we’ve got some great ideas brewing. As well, I will be directing another show, something I’ve really missed doing for the past year, when we mount Wait Until Dark. Plus, I am finally getting the chance to produce Vaudeville Revue, something I have been thinking about for the past 3 or more years. This is the year to set down our guidelines, to make an impression, to prepare ourselves for the 2016-2017 season, which will be our first fully-scheduled regular season. Lots of work, but I’m ready – bring it on.

So to everyone who has been a part of this year, thank you. Regardless of what our interaction was, what our current relationship is, you all helped to shape a year that has been the one with the most personal and career-related growth in…I don’t even know how long. The positive moments inspire me and the negative ones push me to drive forward and prove that this year can be better. Let’s see what 2016 has in store.

-E.