The challenge of mounting any Jukebox Musical is that you are taking songs people know and love and putting them in the hands of performers who, regardless of how talented they are, are unlikely to live up to the image we have in our minds of what they should be. When you have the added challenge of working with performers who simply aren’t as talented as singers they’re portraying you end up with a show that is unfortunately lackluster. Sadly, this was the case for the majority of the performers in the Lower Ossington Theatre production of The Buddy Holly Story, however, a few standout moments were powerful enough to still make for an overall enjoyable evening.
…a show that is unfortunately lackluster…however, a few standout moments were powerful enough to still make for an overall enjoyable evening.
Alan Kinsella directed the show along with musical director Mike Ross. While I question some of the casting choices, the staging was effective and Mikael Kangas lighting and set design (Michael Galloro also worked on set) was simple but bold and engaging. They made excellent use of a small stage and stationary set, creating a series of unique scenes primarily through the use of lights. As always, I’m going to be critical of the design; I found the costumes sub-par especially the women’s, and was surprised to see such a big name (Mark Boots) listed as “Wig Consultant” when I thought the wigs looked cheap and inaccurate.
…excellent use of a small stage and stationary set, creating a series of unique scenes primarily through the use of lights.
Any performance that requires actors put on accents risks sounding cheesy or inauthentic; with the exception of Thomas Finn, whose Hi-Pockets & Big Bopper were spot on, this was a common issue for the show. As the title character, Nigel Irwin’s Buddy lacked the charm, charisma and authenticity the show required. In fact, the majority of the cast was lacking in energy, and moments like the fight scene between The Crickets and a music producer felt very forced. Similarly, numbers like “Party” that should have had the audience on their feet fell flat due to pitchy vocals and a dull performance.
Nigel Irwin’s Buddy lacked the charm, charisma and authenticity the show required.
Despite being too long and dragging much more than the first act (a fault of the writing, not performance), the second act was what made the show. Easily the biggest talent of the performance was Thomas Finn as The Big Bopper. Bursting onstage with all of the Bopper’s larger-than-life presence, Finn steals the show with on-the-spot vocals and contagious energy. You could feel the audience wake up during “Chantilly Lace”, and even less electric performances were given a much needed push with the help of Finn’s great stage presence.
Easily the biggest talent of the performance was Thomas Finn as The Big Bopper…Finn steals the show.
One number did stand out as a good Holly impersonation; “Guess It Doesn’t Matter Anymore”. That song has always been one of my favourites and I was happy to hear Irwin find his voice and channel Buddy beautifully in that song. Maybe some more work will add some consistency to his performance.
All in all the production has a definite amateurish feel, but that doesn’t mean it isn’t an enjoyable night out. Upbeat, lovable music and a few stand out moments make it a fun time for anyone with a love of the oldies. For tickets and more information, check out www.lowerossingtontheatre.com.